![]() (Over the line.) Sittin' downtown in a railway station, One toke over the line. (Sittin' downtown,) Sittin' in a railway station, (I'm goin' home.) One toke over the line. ![]() (Don't ya know I'm just waiting,) (For the train,) Waitin' for the train, sweet Mary, (That goes home, sweet Mary.) (Hopin that the train is on time.) I'm hopin' that the train is on time. I wanna be one toke over the line, Sweet Jesus. Uke has thousands of songs and resources for both beginners and. (Sittin' downtown,) Sittin' in a railway station, One toke over the line. One Toke Over the Line, presented with ukulele chord diagrams and audio recording. (Don't you know I'm just-a,) Waitin' for the train that goes home, Sweet Mary, (Hopin' that,) Hopin' that the train is on time. Sittin' downtown in a railway station, One toke over the line. One toke over the line sweet Jesus One toke over the line Sittin' downtown in a railway station One toke over the line Awaitin' for the train that goes home, sweet Mary Hopin' that the train is on time Sittin' downtown in a railway station One toke over the line Whoooo do you love, I hope it's me I've bin a changin', as you can plainly see I felt the joy and I learned about the pain that my. (Don't you know I'm just-a,) Waitin' for the train, That goes home, sweet Mary, Hopin' that the train is on time. Billboard Hot 100 and 8 Cash Box during the spring of 1971, and was. ![]() Sittin' downtown in a railway station, One toke over the line. The song gained popular acclaim while the band was touring as an opening act for Melanie, after they. One toke over the line, sweet Jesus, One toke over the line. I met all the girls, And I loved myself a few, And to my surprise, Like everything else, That I've been through, They opened up my eyes, And now I'm, And now I'm returnin', And showin' off my smile. I felt the joy and, I learned about the pain, That my mama said, If I should choose, To make it part of me, Would surely strike me dead, And now I'm, I've been changin', As you can plainly see. Sittin' downtown in a railway station, One toke over the line. Waitin' for the train, That goes home, sweet Mary, Hopin' that the train is on time. It is a track from their 1970 LP Tarkio, and was released. One Toke Over the Line by folk rock duo Brewer & Shipley was released in 1970 in an atmosphere of anti-war demonstrations and crackdowns on drug users. Pre-Notes archive here.One toke over the line, sweet Jesus, One toke over the line. One Toke Over the Line is a song written and performed by American folk rock duo Brewer & Shipley. (Submit a cover via Track of the Day archive here. (Seeing Myron Floren choke on the introduction is good for a chuckle, too.) But I realized that despite the overt mention of marijuana use, it isn’t really a pro-drug song the main character is in pretty rough shape. At first I couldn’t believe this snuck by Lawrence perhaps the references to Jesus and Mary gave it cover as a spiritual. My favorite is the step you take to see what you can see. One Toke Over the Line by folk rock duo Brewer & Shipley was released in 1970 in an atmosphere of anti-war demonstrations and crackdowns on drug users. One Toke Over The Line was performed on The Lawrence Welk Show, a television program known for its conservative, family-oriented format, by Gail Farrell and Dick Dale At the conclusion of the performance of the song, Welk remarked, without any hint of irony, There you’ve heard a modern spiritual by Gail and Dale. That may be a line too far for some people, but I can handle it. At other times it is just plain arrogance. There on my television were Gail Farrell and Dick Dale singing “One Toke Over The Line”. Sometimes being One Toke Over is just a mistake in judgment or a simple lack of knowledge about something. While channel surfing recently, I happened upon that fount of surreal covers, The Lawrence Welk Show. Hearing two veteran bluegrass performers sing “everybody must get stoned” is priceless. A friendly discussion of Bob Dylan led me to this: Lester Flatt and Earl Scruggs playing a bluegrass version of Dylan’s “ Rainy Day Women #12 and 35.” The sound is so completely different from Dylan’s, yet you can see a similar mischievousness in their faces as they play. I’m not sure I’d call these transformative, but they are eye-and-ear-catching.
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